Showing posts with label Nouvelle vague. Show all posts
Showing posts with label Nouvelle vague. Show all posts

29 Dec 2016

L'attentat (France, 1966)

L'attentat  (France, 1966). Director: Jean-François Davy. Starring: Roger Sweig, Marie-Hélène Broca, Dominique Erlanger...

Thanks for Mark Loeser for mentioning this film to me whilst I was trying to amateurishly fix a bug with his pinball machine....

It’s a French “New Wave” film about a disillusioned pinball repair man who can barely make ends meet and is frustrated with society.

Wanting to get things happening with the Leftist movement, he eventually plants a bomb in a train station and rigs up a pinball machine to trigger it from a distance when it scores 500 points.

First up on his rounds, a Ship-Mates (Gottlieb, 1964)...


A pinball player says to him whilst he’s repairing a machine, “That must be a cool job”, but he replies “Yeah, it seems so in the beginning.” Then he goes on to say that “Pinball is like politics. You need reflexes and to be alert.”...

When he makes his rounds, a bartender calls him “Mr. Gottlieb”, yet at this other place, there are a couple of Williams machines... Big Chief (Williams, 1965) and a Merry Widow (Williams, 1963)...

Merry Widow (Williams, 1963)...

At yet another job, there’s a Band Wagon (Bally, 1965), with a sign saying "EN PANNE" (Out of order)...

Sitting with a friend, behind him is a pinball cabinet... I think it’s a Thoro-Bred (Gottlieb, 1965)...

Here he is installing the bomb trigger transmitter in a Liberty Belle (Gottlieb, 1962)...

An unsuspecting person playing the rigged Liberty Belle  (Gottlieb, 1962)... will he score the fateful 500 points?!


Instead of “The End”, the last frame is TILT, with the sounds of pinball...

TILT.

Jean-Luc Godard (France) Part 1: The 60s

Jean-Luc Godard is an influential French filmmaker notably associated with the Nouvelle Vague film movement (“New Wave” in English). Hi films were variously experimental, genre-deconstructing, intellectual, political and funny. He was married to actress Anna Karina, who graced many of his 1960s films with her beauty and charm.

Vivre sa vie (France, 1962) [A.K.A. My Life To Live]
Director: Jean-Luc Godard. Starring: Anna Karina, Sady Rebbot, André S. Labarthe...

A couple of scenes where the main characters play pinball. In the first scene, Anna plays a Sea Belles (Gottlieb, 1956)...


In the second scene, Anna’s friends play a Sweet Sioux (Gottlieb, 1959). This was a 4-player game, which normally had wood side rails, but metal ones also existed, as pictured here...



Bande à part (France, 1964) [A.K.A. Band of Outsiders].
Director: Jean-Luc Godard. Stars: Anna Karina, Claude Brasseur, Sami Frey...

Just a brief glimpse of a Sunset (Gottlieb, 1962) as the gang walks into a café…


Pierrot le fou (France, 1965)
Director: Jean-Luc Godard. Starring: Jean-Paul Belmondo, Anna Karina...

A very brief glimpse of two machines in a bowling alley.
The one on the left is a Sky·Line (Gottlieb, 1965), which was pretty much brand new when the film was shot.
The other we don’t see enough of to identify...



Made In U.S.A. (France, 1966)
Director: Jean-Luc Godard. Starring: Anna Karina, László Szabó, Jean-Pierre Léaud...

Godard’s last feature film with Karina… they had divorced in 1965. I don’t remember much of the plot, but it was a sort of mish-mash film noir with gangsters and politics and deconstructed.

Some of the gang Anna’s with hang out in a garage where there’s a Sea-Shore (Gottlieb, 1964)...




Bonus:
Godard’s 1965 film Alphaville (which also starred Anna Karina) inspired Jerry Kelley for the artwork for Capersville (Bally, 1966)...